Kris Lemsalu
IASPIS Artist in residence in Malmö, 1 October – 31 December 2024
Kris Lemsalu (b. 1985) is an artist based in New York and Tallinn. She studied at the Estonian Academy of Arts, Tallinn; Danmarks Designskole, Copenhagen; and Academy of Fine Arts, Vienna.
Having studied ceramics, Lemsalu often experiments with traditional techniques to create multilayered works. Her staged installations combine delicate porcelain sculptures cast as animal and human body parts or objects of clothing with found natural materials like fur, leather or wool. These can act as self-sufficient narratives, or alternatively as a stage for Lemsalu’s performances, the sculptures sometimes becoming a part of her costumes and props. For her recent works, the artist collaborated with musicians adding a further element to her performances (“Going, going”, with Kyp Malone, curated by Esa Nickle and Maaike Gouwenberg, Performa 17 Biennial, New York; and a performance with Glasser, DRAF performance night, KOKO, London, both 2017).
Lemsalu’s recent exhibitions include Magazin 4, Bregenz, Austria (2024); “One foot in gravy”, Margot Samel, New York (2024); “Chará”, Belvedere 21, Museum of Contemporary Art, Vienna, Austria (2024); “Donatella”, Tartu Art Museum, Tartu, Estonia (2024); “Rinky Dink Babe”, Kendall Koppe, Glasgow, UK (2022); “Angels Gone Pissing”, Temnikova & Kasela Gallery, Tallinn (2022), Vienna; “Peace @ 295 Church Street”, Margot Samel Gallery, New York (2022); “Love Stories”, Meyer Kainer, Vienna (2022); “A Snail’s Tale” with Kyp Malone, High Line Art, New York (2021); “It’s a Family Affair” with Kyp Malone, Hunt Kastner, Prague (2021); “Going Going” with Kyp Malone, Den Frie, Copenhagen (2020); “Love Song Sing-Along”, with Kyp Malone, KW Institute for Contemporary Art, Berlin (2020); Estonian Pavilion, 58th Venice Biennial (2019); “Keys Open Doors”, Secession, Vienna (2018); “4LIFE”, Goldsmiths Centre for Contemporary Art, London ( 2018); “There and Back Again”, group show curated by Kati Kivinen and Saara Hacklin, Kiasma, Helsinki (2018); “The Wild Ones”, Koppe Astner, Glasgow (2017–2018); “Steps to Aeration”, group show curated by Sarah McCrory, Tanya Leighton, Berlin; CONDO London, with Josh Faught, Koppe
Astner hosted at Sadie Coles (2017); “The Hierophant”, group show curated by Aaron Moulton, Galeria Nicodim, Bucharest (2017); “Metamorphosis”, group show curated by Zdenek Felix, KAI 10 / Arthena Foundation, Düsseldorf, Galerie Guido
W. Baudach, Berlin, and Galerie SVIT, Prague (2017); “Aftermieter”, group show curated by Veit Loers, Haus Mödrath – Räume für Kunst, Kerpen (2017); “Afternoon Tear Drinker”, curated by Hemma Schmutz, Kunstraum Lakeside, Klagenfurt
(2016); “Beauty and the Beast”, with Tiit Pääsuke, curated by Tamara Luuk, Tallinn Art Hall, Tallinn (2016).